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Thursday, November 14, 2024

Showcase Presents Retrospective - What should have been

So, 124 books is a lot, but what are the biggest gaps in DC's SHOWCASE PRESENTS line?

I'm going to restrict this comics DC published in colour from 1954 to 1975.  Which leaves DOC SAVAGE out in so many ways.  So basically what should we have seen rather than the DOC SAVAGE book that sticks out like a sore thumb?*

[*and yes, I know in my head that publishing reality is we probably would have gotten no book that month if they decided to not publish the SHOWCASE PRESENTS DOC SAVAGE book, or not brand it as a SHOWCASE.  But my heart tells me it replaced something I'd have preferred]

And yes, this list is essentially a wishlist for what the new DC FINEST line of colour reprints could feature, although the the 1954 to 1975 range is even less of a constraint for that line than it was for the SHOWCASE line.

I'll start with the two most obvious gaps.  In DC's colour hardcover ARCHIVES line (1989-2014), almost every line that would have qualified under the criteria above (so discard the many pre-1954 DC lines, the one post-1975 DC line (NEW TEEN TITANS) and the lines inherited/licensed from outside (SPIRIT, ELFQUEST, MAD, ACTION HEROES, THUNDER AGENTS)) got at least one SHOWCASE PRESENTS book*, some of them more than one extending far beyond what was reprinted in the ARCHIVES.

[*the relevant Archives lines were ADAM STRANGE, AQUAMAN, ATOM, BATMAN:THE DYNAMIC DUO, BLACKHAWK, BRAVE AND THE BOLD TEAM-UP, CHALLENGERS OF THE UNKNOWN, DOOM PATROL, ENEMY ACE, FLASH, GREEN LANTERN, HAWKMAN, JUSTICE LEAGUE OF AMERICA, LEGION OF SUPER-HEROES, METAL MEN, SGT. ROCK, SILVER AGE TEEN TITANS, SUPERGIRL, SUPERMAN:THE MAN OF TOMORROW, SUPERMAN'S GIRL FRIEND LOIS LANE, WONDER WOMAN:THE AMAZON PRINCESS, WORLD'S FINEST COMICS]

The first and most important exclusion, to the surprise of no one looking at older posts here, is Sheldon Mayer's SUGAR & SPIKE.  98 issues, starting in 1956 and running to 1971.  Since the invention of the humour comic, there have been five comics that were rated the most funny, the most creative. This one left them all behind.  

Posts about Mayer's work, if you're interested.  

Anyway, tragic that we didn't get at least one SHOWCASE volume of this series.  There would have been enough material for at least four, only counting the main feature comics and covers from the original run.  You could stretch that to five by including the activity features and later Sugar & Spike comics by Mayer (most never published in English, and even most of those that were only published in small digest size).  We did get the one ARCHIVES volume, which reprinted the first ten issues, which is better than nothing, but far from the ideal format for the material.  The SHOWCASE format is also far from ideal, but not as far...

The next exclusion among the ARCHIVES opens up a whole other line of possibilities.  There were two volumes of Jack Kirby's KAMANDI series in 2005 and 2007, which had the first 20 of Kirby's 40 issues of the series. Those same 20 eventually were put in the 2011  hardcover book KAMANDI, THE LAST BOY ON EARTH BY JACK KIRBY Vol. 1 book, which was followed up by a Vol 2 the next year, finishing the essential part of the run (it continued for a while beyond Kirby). The run also got a later one-volume hardcover and two-volume softcover release. So don't cry for Kam, he got some reprint representation, just not in black&white.  Except the two Artist's Editions.  And some people consider that series a failure...

But while his 1950's DC work was well represented in the SHOWCASE line (Challengers and Green Arrow, plus some short mystery stories in either their original series or as reprints of reprints), Kirby's 1970-1976 stint at DC was very unrepresented, just one story of "Atlas" incongruously  stuck in the weird GREAT DISASTER book they published (which had some post-Kirby KAMANDI issues).  That's a five year run of almost 3500 pages of some of the best comics ever (The Fourth World, The Demon, the aforementioned Kamandi, OMAC, The Losers and more), a lot of it inked by Kirby's best inker, Mike Royer, which would look amazing in black and white.  Obviously almost all that stuff did get colour reprints in that era and beyond (and even some black&white&grey reprints in an earlier decade.  Post about those to come), in some fine formats (but with room for improvement), but not getting at least one 1970s Kirby book in the SHOWCASE PRESENTS format just seems like a wasted opportunity.  Personally I would have liked to see, though the SHOWCASE line didn't do this kind of curation, a "Best of 1970s Kirby" sampler, with one or two choice stand-alone issues of each series to fill a 500-page book.

And this is probably the best place to mention the unreleased announced SHOWCASE which would fit in here, SHOWCASE PRESENTS BEWARE THE CREEPER.  Read more about it here.  Steve Ditko is also under-represented in the SHOWCASE line, with just a few pages in the aforementioned GREAT DISASTER book, but his work for DC in the qualifying era is limited.  What would have been in the CREEPER book, three issues with THE HAWK AND THE DOVE, four issues of STALKER and some short stories.  Of course we did eventually see most of Ditko's work for DC in this era and after in some colour hardcovers, and will again (hopefully complete this time) next year in one big hardcover.

Two of those Ditko short stories do bring up another entry for this list.  In 1973 editor Joe Orlando launched PLOP, which was, as promised on the covers, DC's "new magazine of weird humor".  Sort of a spin-off of Orlando's mystery books of the era (using a lot of the same hosts (Cain & Abel, Eve) and creators), but a unique entry in DC's publishing, as seen by the weird gallery of covers by mostly Basil Wolverton (occasionally Wallace Wood) for the first few years. The series lasted until 1976, 24 issues, and has some great work by Bernie Wrightson, Sergio Aragones, Alfredo Alcala and many more.  Including, in #16, a Steve Ditko job inked by Wallace Wood.  Ditko and Wood also did another job for PLOP, unpublished until later.

Unlike some of the other entries above, there hasn't been a decent reprint of PLOP in any other format, making the lack of a SHOWCASE even worse.  This work would have looked amazing in that format (as the other Orlando edited books of the era do), and deserve to be seen again.  Hopefully someday soon.

DC's war books were, somewhat surprisingly, very well represented in the SHOWCASE PRESENTS line.  


13 pure war books, then WEIRD WAR TALES is a partial (it started in the Kubert editorial offices with a mix of new and reprint stories and moved to Orlando's mystery side after a few issues) and SEA DEVILS is war adjacent (initially from the Kanigher offices and written by him and drawn by Russ Heath). And yet somehow they only scratched the surface.  

In addition to possible additional volumes of many of those series, which would have great work (Heath on ROCK, Glanzman on TANK, Kirby on LOSERS) and many more volumes of standalone war stories like the OUR ARMY book.  CAPT. STORM headlined 18 issues of his own book, losing who knows how many wooden legs.  If that's not enough, his fellow future Losers Johnny Cloud and Gunner&Sarge ran for years in ALL-AMERICAN MEN OF WAR and OUR FIGHTING FORCES respectively.  So you could easily fill in a book of BEFORE LOSERS or something less ridiculously titled.  

You also have various short run features which might not fill a book but could be combined in some way.  Mademoiselle Marie, Balloon Buster, Captain Hunter, Hunter's Hellcats, Fighting Devil Dog.  Surely something could be done to combine them into a book. LESSER THAN THE LOSERS seems a bit mean and not totally fair...

While PLOP was DC's big 1970s weird humour book, less weird humour was a big part of their line in the 1950s and 1960s.  I'll just note in passing some books which might have licensing constraints (though deals can be made, and they did it for frickin' DOC SAVAGE).  Long runs of BOB HOPE (109 issues), JERRY LEWIS (with DEAN MARTIN for 40 issues than solo over twice as long), THE FOX AND THE CROW (108 issues plus hundreds of stories in other books).  Books I'm only mildly familiar with, but which seem to have their fans.

More to the point, DC's in-house funny animals were a thriving business for a while.  While they mostly wound up by 1960s (except the aforementioned FOX&CROW), from 1944 to 1960 they were a vital part of DC's line.  In 1954 alone I count over 60 issues, almost 20% of what DC published, in titles like REAL SCREEN COMICS, PETER PORKCHOPS, LEADING SCREEN COMICS, FLIPPITY & FLOP, PETER PANDA, FUNNY STUFF, MOVIETOWN'S ANIMAL ANTICS, HOLLYWOOD FUNNY FOLKS, COMIC CAVALCADE, DODO AND THE FROG, RACCOON KIDS and NUTSY SQUIRREL, so you could definitely have filled some books.  The gold standard probably would have been a THREE MOUSEKETEERS collection, collecting the 26-issue series that ran from 1956 to 1960, initially by the aforementioned Sheldon Mayer and later with art by Rube Grossman.

Also on the humour front, I'm less familiar with the other DC books of the period, which are mostly in the teen humour category that most people would associate with Archie Comics.  Long running titles like BUZZY, A DATE WITH JUDY and LEAVE IT TO BINKY.  Of course my choice for a reprint would have been SCRIBBLY by Sheldon Mayer (I'm nothing if not one note) but the 1948-1952 series run places it outside the parameters.

Westerns weren't as big at DC as they were at some other publishers, but they had their share.  Two of the later day ones were represented in the extant SHOWCASE line, a slim volume of BAT LASH and two big books of JONAH HEX. But through the 1950s they ran two western titles with the on-the-nose titles of WESTERN COMICS and ALL-STAR WESTERN (plus the licensed HOPALONG CASSIDY and back-ups in other comics), featuring a lot of work by artists like Gil Kane, Carmine Infantino and Howard Sherman on characters like Johnny Thunder, Trigger Twins and Pow Wow Smith.

Going back further from traditional westerns, one of DC's longest running series to never have a decent reprint is TOMAHAWK, which ran from 1950 to 1972, for the most part set during the American Revolution (the last part of the run features Hawk, Son of Tomahawk, which is closer to a traditional western comics setting).  Haven't read too much of it, but it looks like there were some wild adventures, and artwork by Fred Ray, Bob Brown and Bruno Premiani.

And let's go back further still for some historical fiction in the early run of THE BRAVE AND THE BOLD.  Long before it was a Batman team-up title, the first 24 issues of B&B focused on historical adventure stories, with the Viking Prince on the north seas, the Golden Gladiator in the Roman Empire, the Silent Knight in the days of King Arthur and (later) Robin Hood a few centuries later.  All with art by Joe Kubert, Irv Novick, Russ Heath and others.  Perfect length for one big single volume collection, too.  The Viking Prince did get one nice colour reprint, but the rest haven't.

I'll close a super-hero feature, a category that the SHOWCASE PRESENTS had no shortage of, and unlike the Ditko and Kirby features above one that still hasn't seen a reprint in another format.  I am of course talking about THE INFERIOR FIVE.  Appearing in three issues of SHOWCASE in 1966 and then ten issue of their own comic from 1967 to 1968, this was a humour comic about a group of second generation heroes with mostly ineffective powers running into parodies of other characters and wacky villains.  Created by E. Nelson Bridwell and Joe Orlando, later drawn by Mike Sekowsky and Win Mortimer.  There was just enough for a nice slim volume.

Of course that just scratches the surface of what could have been possible in the SHOWCASE PRESENTS line, and hopefully will be possible in the DC FINEST line.  What would you have liked to see?

Monday, November 04, 2024

A reminder from a possum

 

That time again, if you're an eligible voter and haven't done so yet, get out there and vote.  And as always, while I agree with Mr. Possum in principle, you're welcome to ignore the advice if you can't vote my way, although I'm sure there are a vanishingly small number of people who will see this who wouldn't.

Friday, November 01, 2024

Showcase Presents Retrospective - The Inevitable Errata

Okay, if you've read this weblog for a while you know I've got this thing, some would say obsession, for errors in comic books, in particular errors in reprints.  And the Showcase Presents line, well, you can't publish over 60,000 pages without making a few mistakes, and I can even excuse a few of them given the low price of the line.  The bar for forgiveness of an error in a $15 book is way lower than for a $150 book.  But no reason not to document them...

Which, by the way, DC themselves did for a while, they have a whole page devoted to Errata for their books, which I've talked about before.  They don't seem to have updated it much beyond the initial entries well over a decade ago, and sometimes it's hard to find on their site, but it's there.  In case it gets hard to find again, here are their entries for the Showcase Presents line.



Showcase Presents Collections

Showcase Presents: Batman Vol. 1
The art on pages 22-36, 37-48, 50-64, 82-93, 94-106, 108-122, 124-135, 136-147, 174-188 and 190-213 was pencilled by Sheldon Moldoff, not Bob Kane.

Showcase Presents: Metal Men Vol. 1
The story from The Brave And The Bold #55 was written by Bob Haney, not the artists Ramona Fradon and Charles Paris.

Showcase Presents: Metamorpho Vol. 1
Ramona Fradon was the cover artist on Metamorpho #5-8.

Showcase Presents: Superman Vol. 1
Al Plastino was the both penciller and inker on all the stories from Action Comics #251-252 and Action Comics #254-255.

Showcase Presents: Superman Family Vol. 2
On page 6, Table of Contents: "The Girl of 100 Costumes", should have Al Plastino listed as sole artist.

On to my list.  Just a basic list for now.  I noticed a handful of other errors as I was reading them over the years, but (uncharacteristically) didn't make precise note of them.

The biggest mistake I know of was one they actually fixed, and got its own post here.  To summarize, some pages were missed up in SHOWCASE PRESENTS SUPERMAN FAMILY Vol 2 back in 2008.  A correct edition, only distinguishable from the incorrect one by the correction and the logo colour on the cover, was issued a few weeks later.  If you ever look for it, you want the white and red logo, not the yellow and red.


Another error is related to one I first noticed in a 1983 British reprint of  DC COMICS PRESENTS #29 [1981].  A problem with lettering printed in colour rather than black ink led to some missing dialogue from the Almighty.  Also a hastily redrawn Supergirl headshot.

Somehow this was still a problem when they got around to including it in SHOWCASE PRESENTS THE SPECTRE Vol 1 in 2012, at least for one of the problem pages (the other two seem fine).  They got a second bite at the apple the next year in SHOWCASE PRESENTS DC COMICS PRESENTS - THE SUPERMAN TEAM-UPS Vol 2.  Let's see how they did by comparing the two books:


Well, that's much better.  Now to just photocopy the correct one onto the correct paper stock and carefully paste it into the SPECTRE book.

This next one is less a mistake than it is an interesting choice, and maybe even a rare correction from an earlier mistake.


As you can see the AMBUSH BUG Showcase from 2009 used the cover for ACTION COMICS #565 [1985].  Good choice, but someone also made a choice to colour the skin of Superman, Batman and Wonder Woman green (most noticeable on WW, of course). Now, what I wonder is, was that supposed to be the joke Giffen intended in the original, finally restored 24 years later?  Or was this an entirely new bonus joke added for this book, at no additional cost to you, the reader? I guess only Irwin Schwab can answer that...

This is of course an evolving list.  Anything you think should be included, let me know at bobh1970 at gmail dot com



Wednesday, October 30, 2024

DC Finest Prospective - Thoughts on future books

As requested by no one, my thoughts on all 31 DC FINEST books on the schedule from here to next summer, ahead of the first ones coming next week. General thoughts on the line here.  Note all comments are based on tentative contents, taken from the listings on this site.  Some will change, some of the books might never come out, the covers of a few will be different (looks like they'll all have the classic DC logo, for one thing).

AQUAMAN
"King Of Atlantis"

Aquaman adventures from the early Silver Age, with great art by Ramona Fradon and Nick Cardy.  Looks like they moved back the start point from what they used in ARCHIVES and SHOWCASE PRESENTS, so you get a few dozen 1950s stories that have never been reprinted, drawn by Fradon.  Makes this a tempting book.

BATGIRL
"Nobody Dies Tonight"

A run of a Batman family book featuring the Cassandra Cain version of the Batgirl character, the first one to ever hold her own solo series, launched in 2000.  Tried it a few times, never really appealed to me, though I often like Kelley Puckett's writing in other books, so I'm not opposed to trying a bigger chunk.  But not in any hurry, either.  Starts with #7, leaving room for an earlier volume to have stories from before the series starts.

BATMAN
"Year One & Two"
"The Killing Joke And Other Stories"

Two consecutive runs of the main Batman books, BATMAN and DETECTIVE, and a few side things starting in 1986, pretty much what would be considered the launch of the post-Crisis version of Batman.  These are going to read as  pretty disjointed books, but they will have a lot of highlights, including the title stories "Year One" and "The Killing Joke" ("Year Two" less so, but it has its moments.  If only it had more consistent art...), "Son Of The Demon".  Some very good work by Jim Aparo, Alan Davis, Norm Breyfogle, David Mazzucchelli, Brian Bolland and others.  Maybe not enough for me that I don't already have in preferable formats.

CATWOMAN
"Life Lines"
"Vengeance And Vindication"

Two consecutive books with the earliest solo adventures of the longtime Batman villain, from the 1989 mini-series to some one-shots and short stories to the 1993 on-going series. Pretty much the most "not for me" that the line is getting in the announced books.

DOOM PATROL
"The World's Strangest Heroes"

Very entertaining comics by Bruno Premiani and Arnold Drake starting with the launch of the team in 1963.  Major point of interest here are a few crossover issues, an issue of CHALLENGERS OF THE UNKNOWN and a Flash team-up in THE BRAVE AND THE BOLD,  which have been reprinted but not as widely as the other issues (most importantly, not in any of the SHOWCASE PRESENTS books).  I could see myself buying this someday. A second book would run out of Drake/Premiani stuff quickly, so probably leak into the later revivals.

THE FLASH
"The Human Thunderbolt"

Hey, I'm not going to really complain about a book of Infantino, Kanigher and Broome, but talk about starting with the most oft-reprinted part of the characters run.  

Might still get this after I get a few of the other books, if it becomes my preferred format for DC reprints, but I hope we see some stuff from the vast unreprinted (especially in colour) years of Barry Allen.
GREEN ARROW
"The Longbow Hunters"

Initially, didn't care that much about this.  Mike Grell's Green Arrow run is okay, aged a bit poorly, falls off in quality quickly and is as common as dirt in both the original issues and prior reprints.

But...

Unlike those prior reprints, which only took Grell's stories, this one is including some Dennis O'Neil stories, in particular the "Fables" storyline which spanned the 1988 annuals for DETECTIVE, GREEN ARROW and THE QUESTION (plus two earlier issues of THE QUESTION with a cameo and guest role for Green Arrow).  That is some remarkable stuff, and until recently hadn't been reprinted (and still hasn't outside a $100 book).  That's some of the best writing O'Neil did in a career full of great writing, and some great art by Denys Cowan.  Might be worth the book for that stuff alone.  And some of the rest is okay.


GREEN LANTERN
"The Defeat Of Green Lantern"

What will end up being the second book of Hal Jordan's adventures as Green Lantern, mostly still by Gil Kane, John Broome and Gardner Fox.  Solid stuff, well worth a look.  Most interesting thing might be the less-often reprinted THE BRAVE AND THE BOLD issue with a GL/Batman crossover drawn by Ramona Fradon.  And like FLASH there are a lot of later unreprinted runs to get to.

HARLEY QUINN
"Birth Of The Mirth"

Interesting approach to this one, mixing in some Harley Quinn books based on the animated series, where she made her debut, and her appearances in the main DC comics universe, leading up to an including the early issues of her solo series by Karl Kesel and Terry Dodson, which is a lot of fun.  The animated stories are good coherent stories, sometimes excellent (including the origin story "Mad Love" by character creators Bruce Timm and Paul Dini).  The DC universe stories can be a bit disjointed, often lone chapters of long stories, until you get to the on-going.  It'll be interesting to see if they separate the two version of the character in the book, or mix them in publishing order.

JUSTICE LEAGUE OF AMERICA
"The Bridge Between Worlds"

Pretty straight forward, probably the eventual third volume of JUSTICE LEAGUE OF AMERICA, in an era of transitions as original artist Mike Sekowsky gets replaced by Dick Dillin partway through the book, and a few issues later original writer Gardner Fox gets replaced by Dennis O'Neil.  O'Neil and Dillin probably do enough to warrant names on the cover, which DC can do while they're in there fixing "Sekowsky".  Anyway, good stuff, but I'm looking more forward to a less-reprinted era like Steve Englehart in the 1970s.

JUSTICE SOCIETY OF AMERICA
"For America And Democracy"
"The Plunder Of The Psycho-Pirate"

The earliest adventures of the Justice Society from the 1940s.  The stories are generally still solo adventures of each member by different artists, tied together with a framing sequence.  Enjoyable, and much more so in two $40 paperbacks than they were in five $50 hardcovers a generation ago.  Although originally just a dime each, $2.10 for the whole shebang a few more generations back.  Those were the days.  Boy, the way Glenn Miller played...

LEGION OF SUPER-HEROES
"Zap Goes The Legion"

Odd choice from the Legion history to start.  Can't recommend the first half of the book, as the Legion goes from lead feature to back-up to occasional guest stars.  But the second half is pretty nearly all Dave Cockrum, his full run on the series, as the Legion works its way back to lead status.  Cockrum is one of the best regular artists the Legion ever had, and he starts early in his career and starts good and gets even better quickly.  The writing improves as the book goes on as well.  But it's a bit of a slog to get there.

METAMORPHO
"The Element Man"

The choice to include Metamorpho early in the run of SHOWCASE PRESENTS was unexpected and great, one of the things that sold me on that line.  The choice to include it early in this run is less unexpected (the character is appearing in an upcoming film), but still pleasant.  This also includes one additional Batman team-up not included in the SHOWCASE.

PEACEMAKER
"Kill For Peace"

And this is the one that drives me crazy.  First half of the book is long overdue, the 1960s comics by creators Pat Boyette and Joe Gill, published by Charlton.  You figure with the character being in a movie and on TV we'd have seen a nice slim book of that by now, only five issues and a few back-ups.  Instead we get this, mixing in the later DC version of the character from the 1980s on.  I can't see many people who want the front half being happy with the second half, and the people, if any, excited by the second half having any interest in the first.  It's not like the HARLEY QUINN book, where it's different but compatible versions of the same character, it's essentially two different characters sharing a common trademark.

And I've got no faith they'll go with that great Boyette cover.  Not sure I can bring myself to buy the book anyway, but definitely not with a non-Boyette cover.

I'd almost rather have had something like this:




PLASTIC MAN
"The Origin Of Plastic Man"

Most of what was reprinted in the first three PLASTIC MAN ARCHIVES back in the day, the first four years of Jack Cole's 1940s comics published by Quality.  On the one hand, great comics, great price.  On the other, DC's ability to really capture Cole's linework from printed comics wasn't really that good 25 years ago, and I doubt they've gone back to square one with this, more likely they're using the same "restoration" created then.  But even watered down Cole is still great.

SCIENCE FICTION
"The Gorilla World"

One of the more unusual choices for the line, so far the only title that's not a super-hero book, and gives some hope for the future of the line expanding further into DC's rich history (war, western, mystery, humour, funny animal).  This collects some early 1950s science fiction stories from STRANGE ADVENTURES, MYSTERY IN SPACE and ACTION COMICS, mostly stand-alone short stories with a few continuing characters like Captain Comet and Tommy Tomorrow. Fun stories with some great artists.  This is the book I'm most likely to buy, although it's not out for a while, next summer by the latest schedule.

SUICIDE SQUAD
"Trial By Fire"

The 1980s comics by John Ostrander and Luke McDonnell, reprinted before but this time including a lot of other comics, such as the LEGENDS mini-series where the team debuted, the SECRET ORIGINS issue, several issues of Ostrander's FIRESTORM where the team appears and other crossovers.  Not sure it needs all those crossovers (and how something like MILLENNIUM #4 will read out of context, or if they'll only include the Squad relevant pages), but the core of the book is some really good stuff.

SUPERBOY
"The Super-Dog From Krypton"

The Silver Age SUPERBOY series (when not involving the Legion) is a bit of a blind-spot in DC's reprint history, at least partly because of some litigation involving the company and the creators of the character.  That seemingly resolved* we can now get this, the stories from SUPERBOY and ADVENTURE COMICS beginning in 1954, and including the debut of Krypto, the pet dog Jor-El shot into space before doing the same with his infant son.  Not sure how that test proved the rocket was safe, since he never got Krypto back...

[*SUPERBOY created by JERRY SIEGEL. By special arrangement with the JERRY SIEGEL FAMILY.  SUPERMAN created by JERRY SIEGEL and JOE SHUSTER. By special arrangement with the JERRY SIEGEL FAMILY.]

SUPERGIRL
"The Girl Of Steel"

Various short stories and guest appearances from Kara Zor-El from her 1959 debut on.  Most of it drawn by Jim Mooney, who does a great job.  Perfect, no notes.  Well, maybe a different cover, but there aren't many Supergirl covers of the era that don't have Superman on them.
SUPERMAN FAMILY
"The Giant Turtle Man"

How great would it be if there was just a 600-page story that was just about Jimmy turning into a giant turtle?  Sadly, that only takes up 8 pages of the book, which almost feels like false advertising.  Still, ten issues each of JIMMY OLSEN and LOIS LANE, plus various other relevant stories from the other titles from the early 1960s.  This starts a bit later and goes a few issues beyond what the SHOWCASE PRESENTS SUPERMAN FAMILY got to in the fourth volume.

Oh, I was bored and, weirdly, this is the kind of thing I do for fun, I thought I'd re-imagine the cover with a few tweaks to the format as how I'd like it


Of course not all logos would work as well in the format as this one, based on one of the top logos ever designed for anything, ever.  And some of the books are based on concepts that never even had logos ("Science Fiction" and "Team-Ups" of the initial batch).


SUPERMAN
"The First Superhero"
"Kryptonite Nevermore"

Two distant eras of Superman, starting with the original stories in 1938 from creators Joe Shuster and Jerry Siegel, soon  joined by others.  That's all a well trodden path for reprints, not sure if DC ever improved the reproduction of some of those early issues.  Still formative stuff.

Then jump to 1971 and however many volumes later for a new era of Superman.  While they've collected the SUPERMAN issues of the era twice before under the "Krytonite Nevermore" title, with the work of Dennis O'Neil, Curt Swan and Murphy Anderson, this is the first time they'll be mixing in the contemporaneous stories in ACTION COMICS, also mostly by Swan and Anderson with other writers.  So that's a point in favour of the book.


TEAM-UPS
"Chase To The End Of Time"

An interesting choice to combine the team-ups with Superman (in DC COMICS PRESENTS) and Batman (in THE BRAVE AND THE BOLD) starting in 1978, but not their team-ups with each other (in WORLD'S FINEST) from the same era.  I kind of like it. I wonder if they'll separate the two series in the book or alternate?  It's mostly single issue stories in this era (with some exceptions like the title story), so either could work fine.

Kind of interested, although most of it won't be new to me.
TEEN TITANS
"The Judas Contract"

Pretty much undeniable material by George Perez and Marv Wolfman, up there at the top of the heap for 1980s DC.  The title story has been reprinted quite a bit, but not always with the surrounding material which provides the extensive set-up and aftermath in the same volume, plus other relevant appearances of the team in other books..  


WONDER WOMAN
"The Legend Of Wonder Woman"
"Origins & Omens"

Two era of Wonder Woman.  The first is the end of one age, right before the post-Crisis reboot by George Perez.  Only read the title story by Trina Robbins and Kurt Busiek, which isn't really indicative of the contents (most of which have never been reprinted), but I'll consider getting it.  The other is the most recent material being offered in the DC FINEST line so far, from 2008 to 2009.  Doesn't really appeal to me, I kind of suspect most people it would appeal to have gotten prior reprints.

EVENTS: ZERO HOUR
"Crisis In Time Part One"
"Crisis In Time Part Two"

I assume they'll standardize the subtitle by the time it comes out.  

A hodge-podge of DC comics from the middle of 1994, all around an event series I don't recall much at all, and dislike most of what I do recall other than the art.  Can't imagine it reads well as a book, with all these individual chapters of larger stories. It does give an idea of how they plan to handle crossovers in this series of books.


Friday, October 25, 2024

A prospective on DC Finest

As you might expect from my interest in DC's old SHOWCASE PRESENTS line I have some interest in their upcoming DC FINEST line, which is like a colour version of that line and also takes some cues from Marvel's long established EPIC line of reprints.  The initial releases are a few weeks away as I write this, and in an unusually aggressive launch DC has already announced 31 books coming in the line, almost weekly releases until the middle of next year. And they will look something like this:


These are preliminary covers from solicitations, expect at least a few of them to change by publishing date.  In particular I hope that the recent return to the classic DC bullet logo (seen only on the recently announced TEAM-UPS book) happened in time that it'll be used for this line*. It's not only objectively better, but the aesthetics of changing a design element so early into a run... well, if you don't think the change of logos on the last years of the SHOWCASE line don't bother me even more than the fact that the two logos on those books are the worst DC logos of all time...

[* thanks to Todd Klein's advance copy, we know the classic DC bullet will be used.  And they modified the contents a bit from the original solicitations starting and ending a few issues earlier]

I suspect the cover art on a few will change as well.

Overall I do like the design.


While I would probably go with a logo on the cover like SHOWCASE had, the bold font that they're using for the series titles is nice, and adds some consistency to the line.  Not really crazy about the "DC FINEST" name, but maybe it'll grow on me (I want to add a possessive, DC'S FINEST, since the antecedent is WORLD'S FINEST.  The title sounds like Bizarro "Them am DC Finest comics". Also, they aren't. The finest, that is. Some are, but others are at best mediocre).  I also like the relatively unusual choice to put all the title information on the bottom, which makes for a nice unique look for the line. I also like the addition of a subtitle for each book, and the credits on the cover (although the choice of credits, at least in the mock-ups, is questionable for some of the books).

And it's much better than any of these lines:

To compare with the competition, here's what Marvel's Epic line looks like:



(they've recently started a "Modern Era" line, which appears to be defined as roughly "21st Century"). Have to say, my ideal would probably be halfway between the classic Epic and the Finest.  That "Modern Era" Epic is some weak tea.  Seems almost apologetic about having to give you any information.

The preliminary look at the unfinished back covers and spines also reveals some information.


The sampling of covers provides some nice context, especially for a few of the books that have non-representative front covers.  The emphasis on the years is interesting, especially since there's no hint that these will be numbered in any way.  Like Marvel's EPIC line, they aren't being released in order (the SUPERMAN FAMILY book will probably be the fourth in the line, it mostly overlaps with the SHOWCASE SUPERMAN FAMILY v4, starting a few issues later and going a few beyond), so it'll be interesting to see if they have a number, like Marvel uses on the back covers, or will depend on the years to establish the order.

As to the choice of books, it's certainly eclectic.  Unlike the SHOWCASE line they seem to have all of DC's history to choose from, going back as far as 1938 and up to 2009 so far (with the cover design indicating plans up to at least 2023). While there does seem to be a bias towards stuff already reprinted before, there are some pleasant surprises.  I can confidently say I'll be buying some of these, but I will never be all-in on the line (cut to 15 years from now, "Can someone get me a copy of CATWOMAN: VENGEANCE & VINDICATION?  I can't find it anywhere.  How much?  Sold!").

I'll go over each individual announced release in a later post.  At a quick glance I'd say there are maybe seven I have no intention of ever buying, five or six I might buy on release, maybe as many more I would if I didn't already have almost all the contents in another form and a vast middle which I might pick up if the price is right or a leaf-through convinces me.
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