Random Comics Theatre
Totems [2000]
Yeah, I pretty much agree with Swamp Thing's assessment there.
This is one of those "what were they thinking?" comics. It's a one-shot from Vertigo taking a lot of the characters that were around when the line launched (Swamp Thing, Shade, Black Orchid, Animal Man, John Constantine and Robotman from the Doom Patrol, most of them not being published at the time, plus a few cameos like Zatanna and the Phantom Stranger) and tossing them into a story about them facing the end of the world when the year 2000 begins.
Of course, the actual book takes about a third of its pages telling us the story of some unrelated and uninteresting character who crashes the rather unlikely party thrown by John Constantine which brings the characters together. I'd think if you had that many formerly headlining characters you'd want to have some fun with their interactions rather than devoting so much of the book to some new nobody. As it is the whole thing becomes a bit of "oh, look, it's that guy from that thing. And there's that other guy from the other thing. And look, they're talking to each other in this thing". It all just seems a lot less fun than you'd think having all these characters should be.
And while I stopped reading about most of those characters long before DC stopped publishing them, so I can't comment about how well they're handled or if anything plays cleverly off their stories or where they'd be several years after their cancellation, nothing struck me as too profound. Shade says strange things, Robotman is a smart alec. Eh, overall just a wasted potential idea. I'm just glad I paid a lot less than cover price for it.
Saturday, February 25, 2006
Friday, February 24, 2006
Stuff of Interest - May 2006 - Little Lulu: All Dressed Up
LITTLE LULU: ALL DRESSED UP TPB
JOHN STANLEY (Writer) and IRVING TRIPP (Artist)
Like all great "comics for kids," be it Charles Schulz's Peanuts, Bill Watterson's Calvin and Hobbes, or Carl Barks's Scrooge McDuck, these stories by John Stanley and Irving Tripp are legendary for their ability to delight both children and adults alike with their wit, insight, and outright hilarity. Witness two of the medium's masters at the very pinnacle of their talent and skill in these gut-busting stories featuring the smart and sassy, generous and gregarious, absolutely one-of-a-kind eight-year-old Lulu Moppet and her lovable cast of neighborhood troublemakers!
On sale June 14, Softcover, 200pg, b&w, 6" x 9", $9.95
MAR060034 Dark Horse
As I've mentioned before, these LULU reprints have been an excellent read at a great price. I have to say that I didn't have much confidence in Dark Horse's ability to make a go of this, and thought we'd be lucky to see two or three books, so getting up to ten volumes in under two years, with no sign of slowing down, well, I'm happy to be proven wrong on something like this.
On the other hand, Dark Horse can't spell "Schulz"...
JOHN STANLEY (Writer) and IRVING TRIPP (Artist)
Like all great "comics for kids," be it Charles Schulz's Peanuts, Bill Watterson's Calvin and Hobbes, or Carl Barks's Scrooge McDuck, these stories by John Stanley and Irving Tripp are legendary for their ability to delight both children and adults alike with their wit, insight, and outright hilarity. Witness two of the medium's masters at the very pinnacle of their talent and skill in these gut-busting stories featuring the smart and sassy, generous and gregarious, absolutely one-of-a-kind eight-year-old Lulu Moppet and her lovable cast of neighborhood troublemakers!
On sale June 14, Softcover, 200pg, b&w, 6" x 9", $9.95
MAR060034 Dark Horse
As I've mentioned before, these LULU reprints have been an excellent read at a great price. I have to say that I didn't have much confidence in Dark Horse's ability to make a go of this, and thought we'd be lucky to see two or three books, so getting up to ten volumes in under two years, with no sign of slowing down, well, I'm happy to be proven wrong on something like this.
On the other hand, Dark Horse can't spell "Schulz"...
My Collection - LEGION OF SUPER-HEROES [1984 Series]
Legion of Super-Heroes [1984 series]
35 issues [1984 - 1989]
1 - 9, 11 - 14, 31, 37 - 39, 43 - 45, 49 - 63
This was the series that DC launched as one of their first direct market only books with the popular Paul Levitz and Keith Giffen team carrying over from the original series. Since it was direct only, I didn't buy it originally, but the LSH was one of the first books I checked out when I got back into comics, just as Keith Giffen was making his return with #50. I actually have pretty mixed feelings about that last year of the book, and was pretty close to dropping it if it wasn't going to be cancelled anyway by the end.
Along the way I did pick up some of the back issues when I could find them fairly cheap (I also have some more of them in the newsstand market reprints). Some of them are a lot of fun, and the art was generally nice, but I really do think that Levitz peaked on the book on the first half of his long run and very little of the second half compares well. Some of that has to do with the contortions the LSH history went through thanks to other changes in the DC Universe, but ultimately Levitz isn't blameless in that either. Still good enough to keep, and readable enough that I'd buy the stuff I'm missing someday.
My favourite bits of the run:
#1 - #5, the big series opening battle against the Legion of Super-Villains, a really good example of the best of Levitz's writing, both in plot structure, building tension and characterization. Also some really good artwork by Giffen, although it's kind of a shame his involvement decreased so rapidly during the story. One of the reasons I think DC's big direct market only launch for both TITANS and LSH at the time was so misguided is that the artistic side of the creative teams that launched the books took off so quickly.
#13 is a nice example of the single issue spotlight on a team member that Levitz would do every now and then, this one with Timber Wolf going on a mission to fulfill a wish for a dead team-mate.
#37 - #38 is one of those stories that tried to make sense of the changes in DC history and the effects on the Legion, but probably made the whole thing worse, but was pretty fun to read, even (maybe especially) without the Superman issues it crossed over with.
35 issues [1984 - 1989]
1 - 9, 11 - 14, 31, 37 - 39, 43 - 45, 49 - 63
This was the series that DC launched as one of their first direct market only books with the popular Paul Levitz and Keith Giffen team carrying over from the original series. Since it was direct only, I didn't buy it originally, but the LSH was one of the first books I checked out when I got back into comics, just as Keith Giffen was making his return with #50. I actually have pretty mixed feelings about that last year of the book, and was pretty close to dropping it if it wasn't going to be cancelled anyway by the end.
Along the way I did pick up some of the back issues when I could find them fairly cheap (I also have some more of them in the newsstand market reprints). Some of them are a lot of fun, and the art was generally nice, but I really do think that Levitz peaked on the book on the first half of his long run and very little of the second half compares well. Some of that has to do with the contortions the LSH history went through thanks to other changes in the DC Universe, but ultimately Levitz isn't blameless in that either. Still good enough to keep, and readable enough that I'd buy the stuff I'm missing someday.
My favourite bits of the run:
#1 - #5, the big series opening battle against the Legion of Super-Villains, a really good example of the best of Levitz's writing, both in plot structure, building tension and characterization. Also some really good artwork by Giffen, although it's kind of a shame his involvement decreased so rapidly during the story. One of the reasons I think DC's big direct market only launch for both TITANS and LSH at the time was so misguided is that the artistic side of the creative teams that launched the books took off so quickly.
#13 is a nice example of the single issue spotlight on a team member that Levitz would do every now and then, this one with Timber Wolf going on a mission to fulfill a wish for a dead team-mate.
#37 - #38 is one of those stories that tried to make sense of the changes in DC history and the effects on the Legion, but probably made the whole thing worse, but was pretty fun to read, even (maybe especially) without the Superman issues it crossed over with.
Thursday, February 23, 2006
Stuff of Interest - May 2006 - You Call This Art
YOU CALL THIS ART?!!: A GREG IRONS RETROSPECTIVE Softcover
by Greg Irons
This retrospective book spans Greg Irons' artistic career, from his earliest dance posters, to his groundbreaking science fiction and horror comix, to his innovative and colorful tattoo art. Greg Irons was one of the elite among poster artists who worked for Bill Graham’s Fillmore Ballroom in San Francisco during the Age of Aquarius, designing posters for Chuck Berry, Jefferson Airplane, Big Brother, and Paul Butterfield. This book reprints his finest psychedelic posters in full-color, as well as complete comic stories from Slow Death Funnies, Legions of Charlies, Deviant Slice, Yellow Dog, Thrilling Murder, and many other underground comic books.
It also includes rarely seen album cover art for Jerry Garcia, Blue Cheer, Jefferson Starship and other counterculture musicians. Extras include never-before-seen pages from his private sketchbooks and journals, personal photographs, and works in obscure publications.
Softcover, 8x10, 240pgs, PC $24.95
MAR063213 Fantagraphics
I'm mostly familiar with Irons from his work in the underground comic SLOW DEATH and one collection of his early work that Rip Off Press published in the 1980s. He's got a great raw, gritty style, an obvious influence on a lot of later artists I like, and of course died way too young. It's good to see him getting a major retrospective, it'll be interesting to see all the aspects of his career. I wasn't even aware how many of those distinctive psychedelic posters were his work.
by Greg Irons
This retrospective book spans Greg Irons' artistic career, from his earliest dance posters, to his groundbreaking science fiction and horror comix, to his innovative and colorful tattoo art. Greg Irons was one of the elite among poster artists who worked for Bill Graham’s Fillmore Ballroom in San Francisco during the Age of Aquarius, designing posters for Chuck Berry, Jefferson Airplane, Big Brother, and Paul Butterfield. This book reprints his finest psychedelic posters in full-color, as well as complete comic stories from Slow Death Funnies, Legions of Charlies, Deviant Slice, Yellow Dog, Thrilling Murder, and many other underground comic books.
It also includes rarely seen album cover art for Jerry Garcia, Blue Cheer, Jefferson Starship and other counterculture musicians. Extras include never-before-seen pages from his private sketchbooks and journals, personal photographs, and works in obscure publications.
Softcover, 8x10, 240pgs, PC $24.95
MAR063213 Fantagraphics
I'm mostly familiar with Irons from his work in the underground comic SLOW DEATH and one collection of his early work that Rip Off Press published in the 1980s. He's got a great raw, gritty style, an obvious influence on a lot of later artists I like, and of course died way too young. It's good to see him getting a major retrospective, it'll be interesting to see all the aspects of his career. I wasn't even aware how many of those distinctive psychedelic posters were his work.
EC - The Patriots (Davis)
The Patriots!
art by Jack Davis, story by Al Feldstein
Shock SuspenStories #2 (1952)
Interesting political story from EC, clearly a response to the whole "Red Scare" of the early 1950s America, as a crowd watches a parade of soldiers just returned from Korea. Some of the crowd react negatively to one man, who seems to have a sneer on his face as the soldiers go by, and then doesn't remove his hat as the American flag goes past. They decide he must be some sort of America hating communist foreigner, and start beating him, proud of their defense of their nation. Unfortunately, the man's wife soon returns and reveals he was an injured member of the army unit that just passed by, whose face was reconstructed so his smile looked like a sneer, and who was blinded in the war so couldn't see the flag.
A well intentioned story, I guess, but it does seem to side step the fact that the crowd would have been just as wrong killing the guy if he had been an America hating communist foreigner.
art by Jack Davis, story by Al Feldstein
Shock SuspenStories #2 (1952)
Interesting political story from EC, clearly a response to the whole "Red Scare" of the early 1950s America, as a crowd watches a parade of soldiers just returned from Korea. Some of the crowd react negatively to one man, who seems to have a sneer on his face as the soldiers go by, and then doesn't remove his hat as the American flag goes past. They decide he must be some sort of America hating communist foreigner, and start beating him, proud of their defense of their nation. Unfortunately, the man's wife soon returns and reveals he was an injured member of the army unit that just passed by, whose face was reconstructed so his smile looked like a sneer, and who was blinded in the war so couldn't see the flag.
A well intentioned story, I guess, but it does seem to side step the fact that the crowd would have been just as wrong killing the guy if he had been an America hating communist foreigner.
Stuff of Interest - May 2006 - Buddha v1
TEZUKA'S BUDDHA VOLUME 1 TP
by Osamu Tezuka
Japanese comics godfather Osamu Tezuka tells the story of Buddha's life like it's never been told before. The progenitor of manga as we know it, and the inspiration for countless artists, Osamu Tezuka continues to elicit the deepest awe with his sweeping grasp of the human condition. This life of Buddha is one that all ages and persuasions can enjoy.
Softcover, 5x7, 400pgs, B&W $14.95
MAR063136 Del Rey
Looks like they've decided not to make the paperbacks of the series thinner and with different breaks between the books than the hardcovers had, as they had scheduled a few months ago. That's good, it didn't make much sense to me, although I guess it would have been nice to have some quality Tezuka in the under $10 price point, where most of the pop manga dwell (ASTRO BOY was down there, but I didn't like it too much). Anyway, really good, weird but wonderful stuff if you haven't been picking up the hardcovers.
by Osamu Tezuka
Japanese comics godfather Osamu Tezuka tells the story of Buddha's life like it's never been told before. The progenitor of manga as we know it, and the inspiration for countless artists, Osamu Tezuka continues to elicit the deepest awe with his sweeping grasp of the human condition. This life of Buddha is one that all ages and persuasions can enjoy.
Softcover, 5x7, 400pgs, B&W $14.95
MAR063136 Del Rey
Looks like they've decided not to make the paperbacks of the series thinner and with different breaks between the books than the hardcovers had, as they had scheduled a few months ago. That's good, it didn't make much sense to me, although I guess it would have been nice to have some quality Tezuka in the under $10 price point, where most of the pop manga dwell (ASTRO BOY was down there, but I didn't like it too much). Anyway, really good, weird but wonderful stuff if you haven't been picking up the hardcovers.
Wednesday, February 22, 2006
Stuff of Interest - May 2006 - Carl Barks' DuckTales v1
CARL BARKS' GREATEST DUCKTALES STORIES VOLUME 1 TP
A collection of Carl Barks adventures that were adapted to the popular DuckTales cartoon show. This volume features "Back to the Klondike," "Land Beneath the Ground," "Micro-Ducks from Outer Space," "Lemming With the Locket," "Lost Crown of Genghis Khan," and "Hound of the Whiskervilles."
Softcover, 5x7, 144pgs, Full Colour $10.95
MAR063223 Gemstone
Good to see a good thick collection of classic Barks (with a second volume coming soon after, according to the Amazon listings, so if your favourite long Scrooge adventure isn't up there it's probably in the second one). These are being released to tie-in with the recent DVD release of the cartoon series, which is a pretty good show as far as TV animation goes, especially the ones I saw that used the Barks stories (although they always replaced Donald and added some original-to-the-cartoon ducks). Anyway, all those are classics, and "Lemming With the Locket" is a particular favourite.
A collection of Carl Barks adventures that were adapted to the popular DuckTales cartoon show. This volume features "Back to the Klondike," "Land Beneath the Ground," "Micro-Ducks from Outer Space," "Lemming With the Locket," "Lost Crown of Genghis Khan," and "Hound of the Whiskervilles."
Softcover, 5x7, 144pgs, Full Colour $10.95
MAR063223 Gemstone
Good to see a good thick collection of classic Barks (with a second volume coming soon after, according to the Amazon listings, so if your favourite long Scrooge adventure isn't up there it's probably in the second one). These are being released to tie-in with the recent DVD release of the cartoon series, which is a pretty good show as far as TV animation goes, especially the ones I saw that used the Barks stories (although they always replaced Donald and added some original-to-the-cartoon ducks). Anyway, all those are classics, and "Lemming With the Locket" is a particular favourite.
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