Monday, March 05, 2012
Sheldon Moldoff, R.I.P.
A quick note to mark the passing of Sheldon Moldoff, one of the primary Batman artists from 1953 to 1967, with many other credits going back to the 1930s. I really enjoyed reprints of the Batman work he did, many of them with Batman co-creator Bill Finger, although unfortunately neither man was usually credited at the time.
Tuesday, February 14, 2012
John Severin, R.I.P.
Sad to hear of the passing of John Severin at age 90. An excellent and prolific artist, best known for his adventure comics from EC in the 1950s, where he also drew some nice stuff in the early issues of MAD, and later both adventure and humour work for many publishers, including an excellent long run on The Losers with Robert Kanigher (long overdue reprint scheduled to come out next month). I highly recommend hunting down that publication to the right, Squa Tront #11 [2005], for an in-depth examination of his work, including an interview, lots of art and a checklist.
Here are a few prior posts about Severin's EC work, some with frequent partner Will Elder:
Link-Up -- art by John Severin & Will Elder, story by Harvey Kurtzman -- Two-Fisted Tales #26[#9] [1952]
Checkers -- art by John Severin & Will Elder, story by Harvey Kurtzman -- Two-Fisted Tales #28[#11] [1952]
Alamo -- art by John Severin, story by Harvey Kurtzman -- Two-Fisted Tales #28[#11] [1952]
Red Knight -- art by John Severin, story by Harvey Kurtzman -- Two-Fisted Tales #29[#12] [1952]
Outpost -- art by John Severin & Will Elder, story by Jerry De Fuccio -- Two-Fisted Tales #33[#16] [1953]
Bop Jokes! -- art by John Severin, story by Harvey Kurtzman -- Mad #9 [1954]
Stampede -- art by John Severin, story by Colin Dawkins -- Two-Fisted Tales #38[#21] [1954]
Camera -- art by John Severin, story by Colin Dawkins -- Extra #1 [1955]
Here are a few prior posts about Severin's EC work, some with frequent partner Will Elder:
Link-Up -- art by John Severin & Will Elder, story by Harvey Kurtzman -- Two-Fisted Tales #26[#9] [1952]
Checkers -- art by John Severin & Will Elder, story by Harvey Kurtzman -- Two-Fisted Tales #28[#11] [1952]
Alamo -- art by John Severin, story by Harvey Kurtzman -- Two-Fisted Tales #28[#11] [1952]
Red Knight -- art by John Severin, story by Harvey Kurtzman -- Two-Fisted Tales #29[#12] [1952]
Outpost -- art by John Severin & Will Elder, story by Jerry De Fuccio -- Two-Fisted Tales #33[#16] [1953]
Bop Jokes! -- art by John Severin, story by Harvey Kurtzman -- Mad #9 [1954]
Stampede -- art by John Severin, story by Colin Dawkins -- Two-Fisted Tales #38[#21] [1954]
Camera -- art by John Severin, story by Colin Dawkins -- Extra #1 [1955]
Sunday, February 05, 2012
DC Reveals New Watchmen Cover
Haven't been posting in a while, sorry to what few regular readers I may have left. And really sorry it took DC's recent announcement of WATCHMEN: THE PHANTOM MENACE to get me posting again, but I just had to say that I'm really looking forward to upgrading my stale old copy of WATCHMEN with this:
Hopefully the rumour is true that it'll be a full special edition with new scenes to integrate it with the prequel series and make for a more cohesive reading experience.
Hopefully the rumour is true that it'll be a full special edition with new scenes to integrate it with the prequel series and make for a more cohesive reading experience.
Thursday, December 08, 2011
Jerry Robinson, R.I.P.
Sorry to hear about the passing of Jerry Robinson. I enjoyed meeting him at a local convention four years ago, and got to thank him for his book COMICS: AN ILLUSTRATED HISTORY OF COMIC STRIP ART, which I used to take out of the library all the time back in the 1970s, as well as the early Batman comics with Bill Finger and Bob Kane, including a role in the creation of such essential early concepts as Robin and the Joker.
I also always enjoyed this rather oddball pin-up he did for SUPERMAN #400 [1984].
I also always enjoyed this rather oddball pin-up he did for SUPERMAN #400 [1984].
Wednesday, September 14, 2011
Sugar&Spike - Photo Finish
The Chronicles of Sheldon Mayer's Sugar & Spike
Photo Finish
Sugar & Spike #2 [1956]
6 pages
Reprints: Sugar & Spike #96 [1971], The Best of DC #47 [1984], The Sugar And Spike Archives #1 [2011]
Yes, that's right, the long-awaited reprint of Sheldon Mayer's classic should be in comic stores today, and no doubt shipping from other sources soon after. If requesting it from a comic store that doesn't have it in stock, tell them to use order code JAN110334, use ISBN-10 1401231128 or ISBN-13 978-1401231125 for other sources.
Among many highlights of the book will be this story from the second issue, where Sugar's mother hires a photographer to get a decent photograph of her alone and not crying. You see, a traumatic early incident with a joke camera has left Sugar with a fear of cameras, which is only abated by the presence of Spike making funny faces. Spike hears the fuss and comes to Sugar's rescue, and various misunderstandings occur until the photographer finally manages to snatch defeat from the jaws of victory.
A great little story, one of the best of the over 400 Sugar & Spike stories Mayer wrote and drew (and may we one day have a whole shelf with books collecting every single one of them). Mayer was especially on his game with the body language in this story, in that page above I especially like Sugar lecturing the photographer for daring to pull a camera on her, her affection towards the photos of Spike and her excitement at him coming to the rescue.
Characters: Sugar, Spike, Mrs. Plumm, A. Shutter, cousin Alvin (flashback)
Damage: various photography equipment, Mr. Shutter's nerves
Sugar's treatment of Spike: Extremely affectionate, for once
Photo Finish
Sugar & Spike #2 [1956]
6 pages
Reprints: Sugar & Spike #96 [1971], The Best of DC #47 [1984], The Sugar And Spike Archives #1 [2011]
Yes, that's right, the long-awaited reprint of Sheldon Mayer's classic should be in comic stores today, and no doubt shipping from other sources soon after. If requesting it from a comic store that doesn't have it in stock, tell them to use order code JAN110334, use ISBN-10 1401231128 or ISBN-13 978-1401231125 for other sources.
Among many highlights of the book will be this story from the second issue, where Sugar's mother hires a photographer to get a decent photograph of her alone and not crying. You see, a traumatic early incident with a joke camera has left Sugar with a fear of cameras, which is only abated by the presence of Spike making funny faces. Spike hears the fuss and comes to Sugar's rescue, and various misunderstandings occur until the photographer finally manages to snatch defeat from the jaws of victory.
A great little story, one of the best of the over 400 Sugar & Spike stories Mayer wrote and drew (and may we one day have a whole shelf with books collecting every single one of them). Mayer was especially on his game with the body language in this story, in that page above I especially like Sugar lecturing the photographer for daring to pull a camera on her, her affection towards the photos of Spike and her excitement at him coming to the rescue.
Characters: Sugar, Spike, Mrs. Plumm, A. Shutter, cousin Alvin (flashback)
Damage: various photography equipment, Mr. Shutter's nerves
Sugar's treatment of Spike: Extremely affectionate, for once
Tuesday, September 13, 2011
IZNOGOUD par Goscinny et Tabary
IZNOGOUD is a long-running comedy series created by René Goscinny and Jean Tabary, published in France beginning in the 1960s, continued by them until Goscinny's death in 1977 and then handled by Tabary solo. I'd heard about it some twenty years ago, and being a fan of Goscinny through ASTERIX (avec Uderzo) and LE PETIT NICHOLAS (avec Sempé) I was curious, but apparently at that point there was nothing readily available in English. It was only after Tabary's recent passing that I found out British publisher Cinebook had been publishing English editions of IZNOGOUD since 2008, with eight books in print. I decided to try the first three, despite the fact that I wasn't that impressed with my most recent foray into reading old Goscinny as an adult, a few volumes of LUCKY LUKE (avec Morris). I ended up liking this a lot more. It's no ASTERIX, but then asking anything to be as good as a series I fell in love with over 30 years ago is a tall order.
Iznogoud is the star of the series, the evil Grand Vizier of Baghdad in some vague non-historical "Arabian Nights" period (and all the cliches that entails, including genies and flying carpets), serving a good-hearted Caliph. Apparently the series actually began starring the Caliph, but soon after Iznogoud emerged as the star with his schemes of taking power, or as he constantly says "I want to be the Caliph instead of the Caliph". The only other regular character so far is Iznogoud's aide Wa'at Alahf, who often tries to talk Iznogoud out of his schemes, but reluctantly goes along, usually hindering as much as helping.
Unlike ASTERIX and LUCKY LUKE, each book contains several short stories, most of them 8-10 pages, with one 20-page epic in the third book (apparently in the post-Goscinny period there were longer stories). All of them involve Iznogoud coming up with some elaborate scheme to take power (up to and including plots to assassinate the Caliph), with everything constantly backfiring on him, despite the fact that he has the Caliph's full trust (as apparently the only person in Baghdad who doesn't know about Iznogoud's desire to be Caliph). I suppose the repetition could get tiresome after a while, but it's still fresh after these fourteen stories (which aren't published in any particular order, and range from at least 1963 to 1972 based on the signatures), with endless variations on the theme, including time machines, magic frogs, election fraud and trips to the desert, the beach and the ocean. I especially like the plan to leave the Caliph to die of thirst in the desert in the first book, which has a lot of unexpected turns, and the story in the third book where Iznogoud finds an obscure law which allows anyone to challenge the Caliph to a fight, which has a great twist.
The books aren't perfect, of course, especially if you aren't that fond of puns, and of course the unfortunate bits of racism you see in a lot of old comics (seriously, some of that stuff was acceptable even into the early 1970s?). But there's a lot to recommend them, and Tabary's art is especially good, coming pretty close to matching Uderzo in his prime. I think I'll probably get at least a few more of the books.
Sunday, September 11, 2011
Sugar&Spike - Horse Sense
The Chronicles of Sheldon Mayer's Sugar & Spike
Horse Sense
Sugar & Spike #9 [1957]
4 pages
Reprints: The Sugar And Spike Archives #1 [2011]
Dedication: Dana Brown (age 9), Idaho
The Wilsons take the kids to an amusement park, even though Mrs. Wilson isn't sure they're old enough even for the "kiddy section". Of course the kids manage to get loose, and soon find a baby pony. Of course, it being a baby means they can talk to it, since baby-talk is the same for all species, and the three of them go off on a little adventure around the park, which ends up being quite costly for the Wilsons. That'll teach 'em to pay more attention when taking care of the kids.
Cute little story, I especially liked the presence of a lot of one-shot people (and animals), which gave Mayer a chance to show off some of his other cartooning skills.
Characters: Sugar, Spike, Mr. Wilson, Mrs. Wilson, a pony, various park employees and visitors
"Boy! I wish my mommy was a baby pony! She doesn't understand a word I say!"
Horse Sense
Sugar & Spike #9 [1957]
4 pages
Reprints: The Sugar And Spike Archives #1 [2011]
Dedication: Dana Brown (age 9), Idaho
The Wilsons take the kids to an amusement park, even though Mrs. Wilson isn't sure they're old enough even for the "kiddy section". Of course the kids manage to get loose, and soon find a baby pony. Of course, it being a baby means they can talk to it, since baby-talk is the same for all species, and the three of them go off on a little adventure around the park, which ends up being quite costly for the Wilsons. That'll teach 'em to pay more attention when taking care of the kids.
Cute little story, I especially liked the presence of a lot of one-shot people (and animals), which gave Mayer a chance to show off some of his other cartooning skills.
Characters: Sugar, Spike, Mr. Wilson, Mrs. Wilson, a pony, various park employees and visitors
"Boy! I wish my mommy was a baby pony! She doesn't understand a word I say!"
Subscribe to:
Posts (Atom)






